Performance at 50mm: Sigma 24-70mm f2. In February 2017, SIGMA eventually released the 24-70mm F2. AUTO 2nd row : Above: Sigma 24-70mm f2. 6 two times with optimal focus at 7mm and 19mm image-height: Above: Sigma 24-70mm f2. 8 DG DN Art at 70mm focal length The sample images above show that even with the lens profile applied vignetting is not completely eliminated. 陽が沈む中、皆同じ方向を見つめるのが印象的だった。 , which went on sale at the same time as the G1, did not simply rely on the short flange back alone. With its extremely high optical performance and its exceptional build quality, the 24-70mm F2. The following images were shot at 1:4. 8 Di III: Above: Flare and ghosting. この調子で2020年の春頃に70-200mm DG DN Sportsかライトバズーカを出してくれたら多分速攻で買うと思います。 Focus-by-wire system instead of full-time manual mechanism• column:last-child:not :first-child , febOne. 8 Di III and a little better than the Sony FE 24-70mm f2. But performance of lenses also depends on the shooting distance. 8 DG DN Art for these artifacts I went through a series of well calculated shots against a strong light source to provoke glare and ghosting. 8 in the center, the Sigma ekes out a slight advantage in the APS-C- and FF-corner over the Tamron and Nikon. 安い(他メーカーよりも半額!) と話題となり、売切れ続出でなかなか手に入ることができないほど人気です。
8 DG DN Art Here we return to the subject of the column. Nonetheless, both are great lenses that should satisfy the needs of a wide range of creatives; check out the video for the full rundown between the two. Results at 24mm: Above: Sigma 24-70mm f2. 8 DG DN Art not only excels in optical performance, it also became a much lighter lens. ワイキキビーチのスナップ とっさの場合にも、AFがきっちりと合焦 ハワイの夕暮れは撮って出しでも、十分印象的に写る。
特に太さは気になりカバンに入れようとするとフードがかなり嵩張ります。
8 DG DN Art should have very high contrast red lines across the full frame with some softening of small details green lines beyond the APS-C image-circle. However, it would be mistaken that all its accomplishments were simply achieved by adapting to the mirrorless camera system. The FF-corner starts not bad at 24mm but already shows signs of astigmatism. Alternatively get yourself a copy of my or Thanks! 最短撮影距離が短いので、テーブルフォトにも最適 日常のふとした瞬間を切り取る。
Did he get money to talk good about Sigma? 他の交換レンズを持っていきましたが、結局1度も交換せず。
10Please have a look at the MTF graph below. You can jump to the detailed results at different apertures and comparisons with other lenses by clicking on the crops of the respective focal length. The sigma lens is big and bulky, more expensive rings and so on. 8 DG DN Art for mirrorless cameras clearly surpasses its optical qualities. You can access the respective shots up to f11 via the links beneath the main image. For the following crops I focused once on the center at f2. I used manual focus at the largest aperture and did not change focus for other apertures. A flagship lens for the mirrorless era With its many achievements thanks to its exclusive design for mirrorless cameras , the 24-70mm F2. Regarding AF, the Tamron seems better at eye AF, but the Sigma is much better at focusing macro subjects. Tremendously increased freedom for the optical design due to the short flange back• 8 Di III RXD Model A036 は1年ほど使っていましたのでそれとの比較した、感じたことのを挙げてみました。
important; margin-bottom: 50px! But some features and setting of these two lens have some differences, but It would not be a cause of any big differences. 8 DG DN Artを購入しました!! いわゆる大三元と呼ばれる、F2. Great reduction in internal cam parts thanks to software-driven AF motor system• There is no significant differences between Sigma and Tamron lens! 4万円ってなかなかの価格差ですよね。
8の明るさで24-70mmという標準ズームの王様的な位置付けのレンズ。
important; font-weight: 400; line-height: 13px! In that it is similar to the Sony FE 24-70mm f2. important; padding-bottom: 0px! In this column, I would like to speak a little about the special characteristics of the 24-70mm F2. Unless weight is your most important factor, overall the Sigma is just better. 8 DG DN Art at 28mm, f11 At 28mm focal length all four lenses look very similar in the APS-C image-circle with a slight edge for the Sigma and Tamron in center sharpness. Next check out my sample images! SIGMA categorized zoom lenses with these specs in the Art line, but creating a zoom lens with the stellar optical performance customers have come to expect of Art lenses proved challenging. 8 DG DN Art には付いていません。 まとめ 今まで使っていたタムロンのA036を売却してシグマの方を購入しましたが大満足です。
3The Sony has the sharpest FF-corner. First up is an overview of the wide-open performance at different focal lengths. All shots were made at ISO 100 and image stabilization switched off. As a result, full-time manual mechanisms and internal-focusing cam mechanism were now redundant, and the inner structure of lenses became much simpler. He must have done something really wrong with the 75mm test. Rendering of out-of-focus point-light sources This test is for the rendering of point-light sources in an out-of-focus background. Rendering of point-light sources at night-shots Night-shots pose a different challenge for lenses as the contrast is even higher than under bright sun and point-light sources can reveal some weaknesses such as coma, haloing and colour-aberrations that do not show up as prominently in other test-shots. 8 DG DN Art at 70mm, f11 At 70mm focal length the Sigma is sharper than the Sony and pretty close to the Tamron but still behind the Nikon. 8 DG DN Art produces sunstars that are not very well defined even at f8: Above: Sigma 24-70mm f2. The Sigma, Tamron and Nikon deliver neck-and-neck performance with the Sigma having a slight advantage at the APS-C-corner but a less clear FF-corner. Vignetting is far worse wide open on the Tamron. 8 DG OS HSM Art for use with single lens reflex cameras already is extremely high. 8 DG DN Art L-Mount version. 0 produces usable results in the APS-C image-circle. 各社のメーカーが大三元レンズを発売していますが、 2019年年末に発売されたSIGMAのこの24-70mm F2. It was a lens that satisfied in performance, quality and size, but its brilliant specs came at the cost of a weight of more than 1kg. シグマの方は金属製の鏡筒になっており見た目はガッシリしていて高級感があります。
8 lens is the workhorse of choice for a wide variety of photographers and videographers, and nowadays, there a ton of options out there, many at affordable prices. Have a look at the following comparison with the Tamron 28-75mm f2. Performance at long distances The Siemens-star test-targets are shot at a distance of 45x focal length i. 8 DG DN Art for use with mirrorless cameras. Yes i bias because I have the lens and i know what I get. Please respect our copyright and only use those images for personal use. You can jump to the detailed results at different apertures and comparisons with the competition by clicking on the crops of the respective focal length. Performance at 70mm: Sigma 24-70mm f2. The inside of this lens was very crammed with HSM hyper-sonic motor auto-focus and full-time manual override, internal-focusing cam mechanism, and OS mechanisms etc. 価格差 価格. Fortunately this only happens in a very small area around the corners: Above: Flare and ghosting. The crops shown below are from 0mm, 7mm, and 19mm off the center of the sensor respectively. シグマの方がデカ重 タムロンの方は細く軽いですがシグマの方はデカくて重いです。
Results at 50mm: Above: Sigma 24-70mm f2. Outperforming the competition was not an easy task. That being said, the Tamron is both more compact and cheaper than the already affordable Sigma, so if the focal length difference does not bother you, you may end up preferring the Tamron. As an owner of the Tamron with an A7iii, I can honestly say I think the lens is outstanding value for money. However, the success of the Art lenses actually made the development of large-aperture standard zoom lenses more difficult. The improvements of the peripheral chromatic aberrations and the astigmatism, in particular, are remarkable. One important thing to consider is the focal length difference. I would be delighted if you found the chance to experience the feel of the lens and its zoom and focusing rings in a camera store sometime. 8 DG DN Art は• 僕は SIGMAのArtだからという理由でこのレンズを選びました。
As a modern large-aperture standard zoom lens, the SIGMA 24-70mm F2. 1 magnification where the area of sharp focus is just 98 x 148mm. SIGMAのシンプルでクールなデザインは常に持ち出したくなる。 8 S combines low levels of glare with only little ghosting see. これから標準ズームを買おうと思っている方• See the examples at the end of the samples page. コスパに優れたミラーレス専用設計レンズに加え小型フルサイズミラーレス一眼と印象に残る製品が多かったように感じます。
While we worked on simplifying the lens design, the quality of the lens barrel — especially the smooth zoom and manual focusing rings as well as the rigid material — have steadily improved. In a certain way, this lens has changed the history of interchangeable lenses. 13th January 2020• GMの半額以下でこの高性能は驚異的だと思います。
絞り羽根枚数:11枚 円形絞り• 8 and did not change focus: Above: Sigma 24-70mm f2. Compact and high performance: the 24-70mm F2. The reviewer should have included some point light sources for the bokeh tests, and then the differences would have become quite apparent. 8 In this long-distance test the new zoom lens looks very good across the zoom range. With automatic shading compensation the extreme corners are lifted about 1. The Sigma OOF transitions and bokeh are so much better and less nervous than the Tamron. The test revealed that field-curvature of the lens becomes stronger the closer you focus. Performance at 35mm: Sigma 24-70mm f2. 8 DG DN Art at 35mm, f11 Same story at 35mm: Not much differences in the APS-C image-circle, FF-corner much better from the Sony and Nikon. For comparison see the , , and. 8 DG DN Art review - Quality• The appearance of flare and ghosting depends on factors like the aperture and the angle of the light hitting the lens. But even stopping down to f11 does not yield sharp borders on a full-frame sensor not to mention the corners. Quality Testing: Longitudinal Chromatic Aberration and focus shift Lenses with focal ratios of f2. Written by• レンズ構成枚数:15群19枚• As usual I have selected the diagonal that provided the better corner results as almost any lens is a bit decentered. I personally did not notice a significant difference in sharpness between the two lenses. at around 3m for 70mm focal length. If you want to see all the details and comparisons with the Tamron 28-75mm f2. 8 magnification at 70mm focal length which is the same as the Tamron 28-75mm f2. I've had several primes, and the only prime I've found to be sharper than the tamron is the 135mm GM. 8 or larger are often prone to longitudinal color aberrations loCA, a. 8 standard zoom lenses, with the brightness and angles of view they offer, have already become a staple lens for many photographers. かっこいい SIGMAのレンズが好きな理由の1つが「かっこいい」という点 使う道具は見た目が気に入れば、さらにモチベーションが上がります。
My only gripe with the tamron is the lack of 24mm on the wide end - but I appreciate the weight and cost saving by not having that so it's understandable. The drop-off in FF-corner resolution does not look too distracting and the softening at 50mm focal length is pretty mild. In fact, we began exploring lenses for mirrorless cameras very shortly after mirrorless cameras entered the market in 2008, and it is the accumulated know-how from constant research that enabled us to develop a lens that combines high optical performance with a compact size and weight. 8 GM coming soon at various apertures: Above: Sigma 24-70mm f2. The adoption of a stepping motor for the AF drive allows smooth AF-C and AF for video recordings. 8 DG DN Art at 24mm, f11 At 24mm focal length the Sigma is a little less sharp than the Nikon but a bit sharper than the Sony in the center. 8 S are much sharper in comparison. important; margin-bottom: 20px! 8 the Sigma has a slightly fuzzy FF-corner and the Sony the softest APS-C-corner of the four lenses. Lenses with these specs, however, are among the most difficult lenses to create of all lenses for single-lens reflex cameras. This was not the only factor brought about by the mirrorless revolution for lens designs, though. You can click on each image to access the large original. 8 DG DN Art at 50mm, f11 At 50mm focal length the new Sigma is softer across the sensor than the other three lenses. 8 DG DN Art produces no purple fringing around high-contrast edges in the focal plane or green outlining around background subjects: Above: Sigma 24-70mm f2. 8 down to f11 plus a comparison with other lenses at f2. Looking towards the corners shows that the new Sigma has pretty low compression of the Bokeh balls. 作例写真はFlickrに他の写真もアップロードしているので暇だったら見てください。
8 DG OS HSM Art was no exception, as we too strived for the highest possible optical performance and build quality. 8 DG DN Art has its share of ghost and flare artifacts. Close-up performance The new Sigma Art goes down to 1:3. The G1 realized a short flange back by doing away with the instant return mirror of D SLR cameras, thereby greatly increasing the freedom lens makers were allowed in their optical designs, especially in the wide-angle and standard range. These normally show up as magenta coloration in the foreground and greenish hues in the background and are not easily corrected in post-processing. SIGMAのズームレンズどうなの?って思っている方 マジでおすすめです!!. Thanks for sharing your comparison that helped me choosing my suitable one! have that extra 5mm from 70 to 75 is great for a portrait and he think not that is a big deal. While on the long end, you are very unlikely to notice the difference between 70mm and 75mm, the gap between 24mm and 28mm is more significant and may make a difference in your work. Results at 35mm: Above: Sigma 24-70mm f2. The mirrorless revolution While large-aperture standard zoom lenses for single lens reflex cameras became ever larger in their quest for better performance, there was a revolution taking place in the market: the emergence of mirrorless cameras. end:last-child:last-child, febOne. 8 DG DN Art lens that we released in September 2019, this lens was designed to make full use of the technological advances brought about by mirrorless design:• 8 right For comparison have a look at the MTF charts of the , , ,. The following real life shot shows that the Sigma 24-70mm f2. White-balance was adjusted to a neutral white and I did some exposure compensation to make the brightness of all crops match. 最大撮影倍率:Wide 1:2. The very good Nikon Z 24-70mm f2. 目の前の虹はさすがに24mmでは収まりきらない。
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Or you can fast-forward to the. 8 DG DN Art and the difference between manufacturing lenses for single lens reflex cameras and for mirrorless cameras. 「SIGMA 24-70mm F2. Following is an overview of the wide-open performance at different focal lengths. ミラーレス用のレンズらしくコンパクトな設計になっていると思います。
All images were shot at the longest focal length and largest aperture. 細い葉の1枚1枚を丁寧に描写しています。
To give you an impression of how much field-curvature is at play here I re-shot the lens at 70mm f5. 8 DG DN Art also shows only little coma. 6 right Above: Tamron 28-75mm f2. Thanks to the simpler lens design, we also managed to reduce the weight of the lens, from 1,020g of the SIGMA-mount single lens reflex model to a mere 835g of the 24-70mm F2. Strong light hitting the Tamron 28-75mm f2. Performance at 24mm: Sigma 24-70mm f2. 8 DG DN Art produces a Bokeh that is less nervous than from the Tamron but not quite as soft as from the Sony or Nikon. 8 DG DN Art could be considered the perfect product for the mirrorless era. Its focusing drive was powered by a stepping motor, and focus scale abandoned in favor of an electric focus-by-wire manual focus ring. 6くらいまで絞ると真ん中がキリっと解像する感じですがシグマ開放からシャープで締まった印象の画が撮れる印象です。
3ダイヤモンドヘッドの頂上から眺める夜景を広角と望遠で撮影。
Distortions are of the barrel type at 24mm focal length with a strong mustachio effect and turn to pin-cushion at 70mm. 鏡筒が金属 タムロンの方は軽いですが鏡筒の外装がプラスチッキーでちょっと安っぽくすり傷が付きやすいのがネックでした。
重さは気にならず、むしろ快適 普段からArtレンズを使っている身としては、大きいレンズといった印象はありません。